Artnews
→ How Two Artists’ Transformation of a Portland Museum May Provide a Blueprint for Larger Institutions
→ Calls for Museums to Divest from Police Intensify as Protests Sweep United States
→ Speak My Language: Art in New Zealand Addresses Inclusivity and Accessibility
→ On Artists: Candida Alvarez; Brendan Fernandes; LaToya Ruby Frazier; Kay Hofmann; Anne Imhof; Postcommodity; Devan Shimoyama; Susan Te Kahurangi King
Artsy
→ How Hock E Aye Vi Edgar Heap of Birds Found His Voice Outside of the Art Establishment
→ The Artsy Vanguard 2022: Sasha Gordon
→ The Artsy Vanguard 2021: Lap-See Lam
→ Joeun Kim Aatchim’s Delicate Drawings on Silk Are Defiantly Sincere
→ Raven Halfmoon’s Monumental Ceramics Counter Stereotypes of Indigenous Culture
→ Christina Quarles Paints the Complicated, Intimate Moments When We Feel like Ourselves
→ The Meteoric Rise of Gallerist Mariane Ibrahim, Champion of African Diasporic Art
→ How Noguchi Sculptures Inspired the Paper Lamps We See Everywhere
The Brooklyn Rail
Chicago Reader
Frieze
→ ‘Imagine Otherwise’ Shifts the Paradigm of Black Representation [written with Meghana Karnik]
Hyperallergic
→ Reviews: Morehshin Allahyari; Ant Farm; Ren Hang; Madeline Hollander; Terence Koh; Megan Marrin; Alex Nguyen-Vo; Michael Rakowitz; Jessi Reaves; Duke Riley; Tom Sachs; Lillian Schwartz; Zhang Peili; Penelope Umbrico; Anicka Yi
→ A Taste of the Complex Relationship between Chinese Food and Identity in America
→ The Beekeeper Who Craved a World Without Right Angles
→ The Fight to Save a Land Art Masterpiece in the Heart of Mexico City