features

Parallel Worlds: how VR and AR became artists’ new canvas, and brands followed suit [It's Nice That]

Seduced By a Rare Parrot [Smithsonian Magazine]

Canada’s Newest Contemporary Art Museum Opens in Saskatoon [Hyperallergic]

A Taste of the Complex Relationship between Chinese Food and Identity in America [Hyperallergic]

Hunting for the Magic Mushrooms of Ancient East Asian Art [Hyperallergic]

The Unflinching Sensuality of Ren Hang’s Photographs [Hyperallergic]

The Shimmering Glory of a Modern Indigenous New Zealand Chapel [Hyperallergic]

Māori Portraits Offer a Window into New Zealand’s Colonial History [Hyperallergic]

The Beekeeper Who Craved a World Without Right Angles [Hyperallergic]

Musical Compositions Stitched from Lace Patterns [Hyperallergic]

19th-Century Portraits of Historical Figures, Guided by Their Spirits [Hyperallergic]

The 18th-Century Devotional Painting that Documents a Brutal Mastectomy [Hyperallergic]

Rare 18th-Century Soul Sculptures Go on View at the Hispanic Society [Hyperallergic]

How User-Friendly Are Museum Image Rights? [Hyperallergic]

After 40 Years, Super 8 Takes Down Its Kitschy Prints and Gives Them Away [Hyperallergic]

What’s the Value of Recreating the Palmyra Arch with Digital Technology? [Hyperallergic]

A Biennial on a Bus Examines the Leisure and Labor of Travel [Hyperallergic]

Could the Nefertiti Scan Be a Hoax — and Does that Matter? [Hyperallergic]

A Radiologist’s X-Ray Photographs of Flowers from the 1930s [Hyperallergic]

The Historic Painted Panels That Exposed the Hell of Hiroshima [Hyperallergic]

Intricate, Beautiful, Raunchy: Japan Embraces Its Ancient Erotic Print Tradition [Hyperallergic]

How a Set of Rediscovered 19th-Century Japanese Doors Leads to Frank Lloyd Wright [Hyperallergic]

Other Plastic Marvels by the Creator of the Pink Flamingo [Hyperallergic]

A Biennial of Sculpture by the Danish Seaside [Hyperallergic]

... Meanwhile, Out in Bushwick, You Can Collect Art With Only 10 Bucks in Your Pocket [New York Magazine]

Women Are Dominating the Rogue Taxidermy Scene [Vice]

A Floating Library on the Hudson [Hyperallergic]

The Retro Aesthetics of Teletext Art [Hyperallergic]

Inside Bedford Cheese Shop's Darling New Irving Place Fromagerie [Gothamist]


exhibition reviews

Michael Rakowitz, Backstroke of the West at MCA Chicago [Hyperallergic]

Megan Marrin, Corps at David Lewis [Hyperallergic] 

Zhang Peili at Art Institute of Chicago [Hyperallergic]

Anicka Yi, Life is Cheap at the Guggenheim Museum [Hyperallergic]

Alex Nguyen-Vo, Colonial Beach at Deli Gallery [Hyperallergic]

Amy Douglas, The Unfortunate Souvenirs of Our Time at Jack Hanley Gallery [Hyperallergic]

Ann Shelton, Dark Matter at Auckland Art Gallery [Hyperallergic] 

Morehshin Allahyari, She Who Sees the Unknown at TRANSFER [Hyperallergic]

Deco Japan at Hillwood Museum [Hyperallergic]

Andrea Grützner at Julie Saul [Hyperallergic]

Montreal Biennial 2016 [Hyperallergic]

Lillian Schwartz at Magenta Plains [Hyperallergic]

Ant Farm at Pioneer Works [Hyperallergic]

Madeline Hollander, DRILL at SIGNAL [Hyperallergic]

The Keeper at the New Museum [Hyperallergic]

Gabriel de la Mora, Sound Inscriptions on Fabric at the Drawing Center [Hyperallergic]

Martin Creed, The Back Door at the Park Avenue Armory [Hyperallergic]

Terence Koh, bee chapel at Andrew Edlin Gallery [Hyperallergic]

Alex Dodge, Love May Fail, But Courtesy Will Prevail at Klaus Von Nichtssagend Gallery [Hyperallergic]

Duke Riley, Fly By Night at Brooklyn Navy Yards [Hyperallergic]

Jessi Reaves at Bridget Donahue [Hyperallergic]

Tom Sachs, Tea Ceremony at the Noguchi Museum [Hyperallergic]

Penelope Umbrico, Silvery Light at Bruce Silverstein [Hyperallergic]

The Missing: Rebuilding the Past at John Jay College of Criminal Justice [Hyperallergic]

Gil Batle, Hatched in Prison at Ricco Maresca Gallery [Hyperallergic]

Beverly Ress, The World is a Narrow Bridge at the Katzen Arts Center [Hyperallergic]

Martin Roth, untitled (debris) at Louis B. James [Hyperallergic]

Mark Dorf, Emergence at Postmasters [Hyperallergic]

Henry Gunderson, Two & Two at 237254 [Hyperallergic]

Chiharu Shiota, Perspectives at the Arthur M. Sackler Gallery [Hyperallergic]